Post-Production & Editing Services

The editing team consists of Premiere Pro and Avid experts who have worked on commercial and documentary and feature film projects from initial assembly to final picture lock.

The editorial process includes director notes and revision rounds and locked timelines which are now available for finalization.

The editing process converts interview recordings and B-roll footage and scripted content into storytelling elements through story-based techniques.

The process involves uniting different camera angles from concerts and panels and live events through editing to create single unified video edits.

Trimming pauses, smoothing jump cuts, and pulling selects from extensive interview recordings.

The process demands that you match your shots while keeping exposure levels and white point consistency for footage which comes from different lighting environments and camera systems.

The colorists who work with DaVinci Resolve and Baselight software use their skills to develop cinematic color schemes which include both film-like appearances and bright commercial color schemes.

Final VFX integration with automated QC checks for broadcast-compliant delivery.

Create pre-production LUTs and style references which will show your final look on on-set monitors.

The artists who work with After Effects and Cinema 4D create lower thirds and animated sequences and infographics which air on television and appear online.

The compositors at Nuke and Fusion merge green screen elements with set extensions and invisible effects to create live-action visual effects.

The artists at Maya and Houdini studio create photorealistic content which includes environments and character animation and product visualization for commercial and film production.

Main titles, end crawls, and integrated credit sequences matching your project's tone and brand guidelines.

The process requires artists to use Photoshop together with 3D software for building environment elements and sky background replacement and set expansion from recorded live-action scenes.

Users need to remove actors and unwanted elements from each frame during the process of hand-tracing mattes for complex composites.

Creating sonic atmospheres, impacts, and textures that support your story's emotional beats and pacing.

Reykjavik Foley recorded all on-screen sounds including footsteps and cloth movements and prop noises which exactly followed the movie actions.

Production audio cleanup, dialogue replacement, and Icelandic/English lip-sync recording.

Original compositions from Icelandic composers, plus library music supervision and sync licensing.

Pro Tools mixing on Dolby-certified stages with broadcast-compliant loudness metering.

The audio content includes Dolby Atmos mixes together with 5.1 and 7.1 audio formats which support theatrical and streaming and broadcast delivery with exact object and bed placement.

iZotope and Cedar processing to remove hum, wind, traffic, and production noise from location recordings.

The system provides digital cinema packages which include encryption and KDMs and ingestion testing for both Icelandic and international theater operations.

Masters meeting RUV, Stod 2, and EBU R128 specifications with full QC reports.

Netflix, Amazon, Disney+, and Apple TV+ deliverables meeting each platform's unique technical requirements.

LTO tape archives, checksummed backups, and preservation masters for long-term asset protection.

The system performs transcoding operations between ProRes and DNxHD and H.264/265 and legacy formats while it handles frame rate and resolution modifications.